A tiny diary, red
with its red tail
still attached to
mark a page –
the moon’s phases,
apothecaries’
weights, measures
of space
or the date of
winter solstice.
Each day inscribed
in blue
from a fountain pen
with all
the minutiae of
Iceland life:
letters written and
received,
books read, films
seen,
the countdown to
the June boat.
That this has
survived,
bought in Richmond,
carried
on the
Champollion to an un-
decipherable land
and back
through years of
waste paper
to be read by pixel
light
is astonishing.
It is a glowing
lava-bomb tossed
from the war,
that grey unmoving
six-year
flow that now
smothers
the century.
It is hot
and dangerous, a
man’s life.
To hear Liber Scriptus click
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Further poems
from Iceland Spar -
AKUREYRI, 5
a.m.
I'm almost on
the Arctic Circle here
in Akureyri,
where a polar chill
nips at the
day-long sun and there is still
white
streaking the sides of the fjord, sheer,
sharp-toothed
in its smiling. The light's as clear
as Icelandic
water, a light that will
go on and on
the way life seems to until
you reach a
point... Is that an alarm I hear?
My father,
waking from the winter dark
in nineteen
forty-three, notes with delight
the first
birdsong to have dawned on him in three
long months
of blackout. Sparrow, starling, arctic
tern or
golden plover? Whatever, the night
is over and
the long day faces me.

Final
Transmission
I'm sure
you're listening, though your headset's gone –
that wreath
of wire and bakelite – while I
just have
this iPod, playing Wagner by
the Berlin
Phil from nineteen forty-one
and peace of
sorts. The wartime hiss and drone's
been mastered
out: each synchronicity
and near
miss, the love motifs, epiphany's
strange star
– all gone with the draft. Anon
is free to
piece it all together: broken
shellac and
blunted thorn. We play at war
with spin and
soundbite now; we drop our smart
lies on the
bleak, bare facts you might have spoken.
But you had
learnt the code, had closed your ears
to all our
secrets, knowing them by heart.

OFF TO WORK
Remembering
Snow White –
the one
behind the layers
of painted
cel, the one
that fell for
a princely tune
and a
poisoned apple, hi
ho,
my father gazes
into a mirror
from Iceland
and sees only
Disneyland
with this
charming message:
that seven
years have kept
her safe for
him, but now
the blackout
is about to be lifted.

RECESSIONAL
Because it
was for this they fought, endured
the dark days
and the cold, that older race
of our
fathers, those silent thoughtful ones
who had
handled guns but learnt to prefer
a garden
spade, whose own fathers had seen
the future
erupting through William Morris
wallpaper,
his vision of the crafty art
of peace, an
England made both beautiful
and useful,
as he walked towards the crevasse:
from Auden
and MacNeice's tent collapsing
on thirties
communism, to that pair
who rocked
and rolled the country moon-flat, fit
for the
trickster nineties, past Ted Hughes ‘dream
fishing’ with
his son and catching nothing
but laughter
–
deliver me and deliver
these words,
through whatever ice-hole exists
into that
vitreous floating flashing light
where you
can't show me where Camp Valhall was
in nineteen
forty-three, or mention Bob
and Don and
Al and all the others who
are now blue
smudges in your diary.

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